Gerard Pons-Moll (Senior Researcher)

With the rapid growth of the volume of research fields like computer vision
and computer graphics, researchers require effective and user-friendly
rendering tools to visualize results. While advanced tools like Blender offer
powerful capabilities, they also require a significant effort to master. This
technical report introduces Blendify, a lightweight Python-based framework that
seamlessly integrates with Blender, providing a high-level API for scene
creation and rendering. Blendify reduces the complexity of working with
Blender's native API by automating object creation, handling the colors and
material linking, and implementing features such as shadow-catcher objects
while maintaining support for high-quality ray-tracing rendering output. With a
focus on usability Blendify enables efficient and flexible rendering workflow
for rendering in common computer vision and computer graphics use cases. The
code is available at github.com/ptrvilya/blendify

The estimation of 3D human poses from images has progressed tremendously over
the last few years as measured on standard benchmarks. However, performance in
the open world remains underexplored, as current benchmarks cannot capture its
full extent. Especially in safety-critical systems, it is crucial that 3D pose
estimators are audited before deployment, and their sensitivity towards single
factors or attributes occurring in the operational domain is thoroughly
examined. Nevertheless, we currently lack a benchmark that would enable such
fine-grained analysis. We thus present STAGE, a GenAI data toolkit for auditing
3D human pose estimators. We enable a text-to-image model to control the 3D
human body pose in the generated image. This allows us to create customized
annotated data covering a wide range of open-world attributes. We leverage
STAGE and generate a series of benchmarks to audit the sensitivity of popular
pose estimators towards attributes such as gender, ethnicity, age, clothing,
location, and weather. Our results show that the presence of such naturally
occurring attributes can cause severe degradation in the performance of pose
estimators and leads us to question if they are ready for open-world
deployment.

Synthesizing natural human motion that adapts to complex environments while
allowing creative control remains a fundamental challenge in motion synthesis.
Existing models often fall short, either by assuming flat terrain or lacking
the ability to control motion semantics through text. To address these
limitations, we introduce SCENIC, a diffusion model designed to generate human
motion that adapts to dynamic terrains within virtual scenes while enabling
semantic control through natural language. The key technical challenge lies in
simultaneously reasoning about complex scene geometry while maintaining text
control. This requires understanding both high-level navigation goals and
fine-grained environmental constraints. The model must ensure physical
plausibility and precise navigation across varied terrain, while also
preserving user-specified text control, such as ``carefully stepping over
obstacles" or ``walking upstairs like a zombie." Our solution introduces a
hierarchical scene reasoning approach. At its core is a novel scene-dependent,
goal-centric canonicalization that handles high-level goal constraint, and is
complemented by an ego-centric distance field that captures local geometric
details. This dual representation enables our model to generate physically
plausible motion across diverse 3D scenes. By implementing frame-wise text
alignment, our system achieves seamless transitions between different motion
styles while maintaining scene constraints. Experiments demonstrate our novel
diffusion model generates arbitrarily long human motions that both adapt to
complex scenes with varying terrain surfaces and respond to textual prompts.
Additionally, we show SCENIC can generalize to four real-scene datasets. Our
code, dataset, and models will be released at
\url{https://virtualhumans.mpi-inf.mpg.de/scenic/}.

Human performance capture is a highly important computer vision problem with
many applications in movie production and virtual/augmented reality. Many
previous performance capture approaches either required expensive multi-view
setups or did not recover dense space-time coherent geometry with
frame-to-frame correspondences. We propose a novel deep learning approach for
monocular dense human performance capture. Our method is trained in a weakly
supervised manner based on multi-view supervision completely removing the need
for training data with 3D ground truth annotations. The network architecture is
based on two separate networks that disentangle the task into a pose estimation
and a non-rigid surface deformation step. Extensive qualitative and
quantitative evaluations show that our approach outperforms the state of the
art in terms of quality and robustness. This work is an extended version of
DeepCap where we provide more detailed explanations, comparisons and results as
well as applications.

In everyday lives, humans naturally modify the surrounding environment
through interactions, e.g., moving a chair to sit on it. To reproduce such
interactions in virtual spaces (e.g., metaverse), we need to be able to capture
and model them, including changes in the scene geometry, ideally from
ego-centric input alone (head camera and body-worn inertial sensors). This is
an extremely hard problem, especially since the object/scene might not be
visible from the head camera (e.g., a human not looking at a chair while
sitting down, or not looking at the door handle while opening a door). In this
paper, we present HOPS, the first method to capture interactions such as
dragging objects and opening doors from ego-centric data alone. Central to our
method is reasoning about human-object interactions, allowing to track objects
even when they are not visible from the head camera. HOPS localizes and
registers both the human and the dynamic object in a pre-scanned static scene.
HOPS is an important first step towards advanced AR/VR applications based on
immersive virtual universes, and can provide human-centric training data to
teach machines to interact with their surroundings. The supplementary video,
data, and code will be available on our project page at
virtualhumans.mpi-inf.mpg.de/hops/

We present TOCH, a method for refining incorrect 3D hand-object interaction
sequences using a data prior. Existing hand trackers, especially those that
rely on very few cameras, often produce visually unrealistic results with
hand-object intersection or missing contacts. Although correcting such errors
requires reasoning about temporal aspects of interaction, most previous work
focus on static grasps and contacts. The core of our method are TOCH fields, a
novel spatio-temporal representation for modeling correspondences between hands
and objects during interaction. The key component is a point-wise
object-centric representation which encodes the hand position relative to the
object. Leveraging this novel representation, we learn a latent manifold of
plausible TOCH fields with a temporal denoising auto-encoder. Experiments
demonstrate that TOCH outperforms state-of-the-art (SOTA) 3D hand-object
interaction models, which are limited to static grasps and contacts. More
importantly, our method produces smooth interactions even before and after
contact. Using a single trained TOCH model, we quantitatively and qualitatively
demonstrate its usefulness for 1) correcting erroneous reconstruction results
from off-the-shelf RGB/RGB-D hand-object reconstruction methods, 2) de-noising,
and 3) grasp transfer across objects. We will release our code and trained
model on our project page at virtualhumans.mpi-inf.mpg.de/toch/

Most learning methods for 3D data (point clouds, meshes) suffer significant
performance drops when the data is not carefully aligned to a canonical
orientation. Aligning real world 3D data collected from different sources is
non-trivial and requires manual intervention. In this paper, we propose the
Adjoint Rigid Transform (ART) Network, a neural module which can be integrated
with a variety of 3D networks to significantly boost their performance. ART
learns to rotate input shapes to a learned canonical orientation, which is
crucial for a lot of tasks such as shape reconstruction, interpolation,
non-rigid registration, and latent disentanglement. ART achieves this with
self-supervision and a rotation equivariance constraint on predicted rotations.
The remarkable result is that with only self-supervision, ART facilitates
learning a unique canonical orientation for both rigid and nonrigid shapes,
which leads to a notable boost in performance of aforementioned tasks. We will
release our code and pre-trained models for further research.

Modern approaches to pose and body shape estimation have recently achieved
strong performance even under challenging real-world conditions. Even from a
single image of a clothed person, a realistic looking body shape can be
inferred that captures a users' weight group and body shape type well. This
opens up a whole spectrum of applications -- in particular in fashion -- where
virtual try-on and recommendation systems can make use of these new and
automatized cues. However, a realistic depiction of the undressed body is
regarded highly private and therefore might not be consented by most people.
Hence, we ask if the automatic extraction of such information can be
effectively evaded. While adversarial perturbations have been shown to be
effective for manipulating the output of machine learning models -- in
particular, end-to-end deep learning approaches -- state of the art shape
estimation methods are composed of multiple stages. We perform the first
investigation of different strategies that can be used to effectively
manipulate the automatic shape estimation while preserving the overall
appearance of the original image.

We present a simple yet effective method to infer detailed full human body
shape from only a single photograph. Our model can infer full-body shape
including face, hair, and clothing including wrinkles at interactive
frame-rates. Results feature details even on parts that are occluded in the
input image. Our main idea is to turn shape regression into an aligned
image-to-image translation problem. The input to our method is a partial
texture map of the visible region obtained from off-the-shelf methods. From a
partial texture, we estimate detailed normal and vector displacement maps,
which can be applied to a low-resolution smooth body model to add detail and
clothing. Despite being trained purely with synthetic data, our model
generalizes well to real-world photographs. Numerous results demonstrate the
versatility and robustness of our method.

We present a real-time approach for multi-person 3D motion capture at over 30
fps using a single RGB camera. It operates in generic scenes and is robust to
difficult occlusions both by other people and objects. Our method operates in
subsequent stages. The first stage is a convolutional neural network (CNN) that
estimates 2D and 3D pose features along with identity assignments for all
visible joints of all individuals. We contribute a new architecture for this
CNN, called SelecSLS Net, that uses novel selective long and short range skip
connections to improve the information flow allowing for a drastically faster
network without compromising accuracy. In the second stage, a fully-connected
neural network turns the possibly partial (on account of occlusion) 2D pose and
3D pose features for each subject into a complete 3D pose estimate per
individual. The third stage applies space-time skeletal model fitting to the
predicted 2D and 3D pose per subject to further reconcile the 2D and 3D pose,
and enforce temporal coherence. Our method returns the full skeletal pose in
joint angles for each subject. This is a further key distinction from previous
work that neither extracted global body positions nor joint angle results of a
coherent skeleton in real time for multi-person scenes. The proposed system
runs on consumer hardware at a previously unseen speed of more than 30 fps
given 512x320 images as input while achieving state-of-the-art accuracy, which
we will demonstrate on a range of challenging real-world scenes.

Modern approaches to pose and body shape estimation have recently achieved
strong performance even under challenging real-world conditions. Even from a
single image of a clothed person, a realistic looking body shape can be
inferred that captures a users' weight group and body shape type well. This
opens up a whole spectrum of applications -- in particular in fashion -- where
virtual try-on and recommendation systems can make use of these new and
automatized cues. However, a realistic depiction of the undressed body is
regarded highly private and therefore might not be consented by most people.
Hence, we ask if the automatic extraction of such information can be
effectively evaded. While adversarial perturbations have been shown to be
effective for manipulating the output of machine learning models -- in
particular, end-to-end deep learning approaches -- state of the art shape
estimation methods are composed of multiple stages. We perform the first
investigation of different strategies that can be used to effectively
manipulate the automatic shape estimation while preserving the overall
appearance of the original image.